This comparison makes a great deal of sense. Characters like T’Challa and Steven Strange would certainly feel at home in Westeros, kings and sorcerers. The similarities suggest themselves: a universe readily divided into realms and kingdoms, each with their own centres of powers mysterious and ominous forces moving in the darkness magic and rationality at odds with one another. Infinity War suggests an interesting answer, effectively positioning the Marvel Cinematic Universe as a four-colour PG-13 version of Game of Thrones. If the Marvel Cinematic Universe could be described as a television series, it is worth asking which television series. There is a tonal awkwardness when these characters are woven back into the fabric of the shared universe, in a manner that is occasionally unquantifiable but sometimes fundamental. It occasionally feels like Infinity War was constructed by people who watched those movies, without understanding why they worked as well. Watching Infinity War, it becomes clear how far these directors deviated from the established style sheet, and the difference in approach between these directors and the Russo Brothers. Thor: Ragnarok worked as well as it did because of the unique directorial stylings of Taika Waititi. Black Panther could only have come from Ryan Coogler. 2 are both undeniably James Gunn productions. Guardians of the Galaxy and Guardians of the Galaxy, Vol. This is particularly notable because Marvel Studios recently shifted towards a more director-friendly approach in some of its standalone productions. There is an undeniable weight to Infinity War that simply would not be possible without that television storytelling style.Īt the same time, there are reminders of the limitations of this approach, of the challenges of balancing individual stories with a larger plan for the narrative universe in which they unfold. Characters get emotional scenes that play upon established relationships and dynamics, which are clearly articulated within the film itself, but building off years of watching (and rewatching) these actors play off one another in these roles. There is a sense of set-up and pay-off to certain threads and arcs seeded across the eighteen previous films within the established brand.
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Infinity War is full of knowing winks and callbacks, allusions and references. There are moments in which this approach works. Infinity War suggests the sort of organisational ability associated with long-form television storytelling more than any single cinematic narrative. Indeed, the elevation of the Russo Brothers within the Marvel Studios hierarchy with Captain America: Civil War and with Avengers: Infinity War suggests the obvious similarities between managing the sprawling continuity of the shared cinematic universe and the day-to-day management of a television show, where individual instalments might be credited to individual authors, but it is also important to maintain consistency of tone and vision across the entire line.
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